RIBCO is known for bringing fairly diverse acts to its stage, especially quality metal bands. The show on Friday, November 22 combines heaviness and diversity in a way seldom seen (or heard) at the venue. Igneous, Cervine, Dead Emperors, and Daykeeper are bringing together unique strains of rock, doom, and progressive metal to create one memorable night of heavy music.

Performing in support of the October release of their self-titled album – a work that, according to Sounds Like Nashville, “maintains their inspiring disposition while exploring deeper musicians” – the chart-topping country musicians of Old Dominion play Moline's TaxSlayer Center on November 23, performing from a repertoire that has thus far resulted in three Academy of Country Music Awards and eight top-10 Billboard singles over a mere five years.

Following hugely successful presentations of Harry Potter & the Sorcerer's Stone in 2017 and Harry Potter & the Chamber of Secrets in 2018, the Quad City Symphony Orchestra returns to Davenport's Adler Theatre on November 23 to perform live accompaniment for Oscar-winning director Alfonso Cuarón's Harry Potter & the Prisoner of Azkaban – the third movie smash adapted from J.K. Rowling's iconic fantasy/adventure novels.

Explosive and experimental hardcore punk unit Zeta visits Rozz-Tox on tour from its musicians' native Venezuela on November 23.

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Bribery is a Class 2 felony in Illinois. It's also a federal offense, punishable by up to ten years in prison. Neither of those laws stopped former State Representative Luis Arroyo (D-Chicago) from allegedly attempting to bribe a state Senator, who turned out to be an FBI mole.

It's starting to look a lot like Christmas in the tiny town of Doublewide, Texas, and Saturday's performance of A Doublewide, Texas Christmas by Jessie Jones, Nicholas Hope, and Jamie Wooten was a hoot at the Richmond Hill Players' cozy Barn Theatre. It's a silly comedy full of colorful characters and even sillier situations, and judging by the full house and continual laughter, I would venture to say most everyone enjoyed themselves.

Prescription: Murder is the final show in the Playcrafters Barn Theatre's 90th season, which consisted of 11 productions in as many months. (After this, Barn members are taking a well-deserved rest of a month or so before staging their next presentation in February.) I saw Friday's opening-night performance, and if any of the cast, crew, and staff are exhausted from their busy year, it certainly wasn't apparent. Everything flowed.

I attended the Wednesday preview performance of the Circa '21 Dinner Playhouse's Elf: The Musical, and director Jeremy Littlejohn and musical director Travis Smith have clearly concocted a sweet, fluffy treat. The songs may be standard fare, but they're given freshness by the performers, as well as the beautiful costuming by Greg Hiatt.

In my apparently endless need to publicly prove I have no life, I caught eight films at four different venues between Thursday and Saturday. Some titles are worth more words than I've given them; a couple are undoubtedly worth less. Regardless, the following are listed in order of preference. If you're among those readers who enjoy my pans more than my praise, by all means work your way backward.

Des Moines-based jangle guitar-pop crew Karen Meat visits the Quad Cities for a November 14 bill at Rozz-Tox.

Works by a trio of gifted Midwestern artists will be on display in the Quad City Arts International Airport Gallery through January 1, with the venue boasting paintings by Juliet Stock and Julia Kulish and functional ceramic art by Natalya Sots.

Every thinking American knows on some level that his/her current political disposition is based almost entirely on emotions triggered by media manipulation like never before.

The day I began working at the first Happy Joe's Pizza & Ice Cream Parlor down in the East Village of Davenport, Joe Whitty sat me down in his office and imparted wisdom that affected the rest of my life.

Self-proclaimed “sad boy” singer/songwriter Brent Penny brings his bedroom pop to Rock Island's Rozz-Tox on November 8.

Described by the Chicago Tribune as “clever, funny, moving, lively, and geeky,” and filled with what Time Out Chicago called “deliciously dorky references to the early days of the Internet,” the Dungeons & Dragons-fueled comedy-drama-action-adventure She Kills Monsters enjoys a new staging at Rock Island's Augustana College, its November 14 through 17 run guaranteed, according to the New York Times, to “slash and shapeshift its way into your heart.”

The Prenzie Players' "The Merry Wives of Windsor" at the QC Theatre Workshop -- November 15 through 23.

A showcase for the beloved Shakespearean figure Falstaff – the jovial, scheming, soliloquizing knight previously featured in Henry VI Parts I and II – the uproarious comedy The Merry Wives of Windsor serves as the latest presentation by classical-theatre troupe the Prenzie Players, its November 15 through 23 run at Davenport's QC Theatre Workshop boasting many familiar area talents in what Broadway World deemed “the most purely farcical of all of [Shakespeare's] works.”

With the Chicago Reader deeming the work “a Preston Sturges comedy stranded at an I-94 truck stop” and “a wild, crotch-grabbing snapshot of life at the margins,” sibling authors Clay and Nate Sander's Losers Bracket makes its Quad Cities debut at Moline's Black Box Theatre November 15 through 24, its local run sure to demonstrate why the Chicago Tribune raved, “The play hums with the kind of quirky, blue-collar, sports-loving bravado that made Bleacher Bums a Chicago classic.”

Performing in their final world tour under the banner “The Final Campaign,” the chart-topping, Grammy-winning thrash-metal musicians of Slayer land at Moline's TaxSlayer Center on November 14, playing from a nearly four-decade repertoire that includes the top-10 Billboard smashes Divine Intervention, Christ Illusion, and Repentless.

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