A singer/songwriter and multi-instrumentalist whose music, according to Pop Matters, is “so unique, abstract, and weirdly logical that it defies all industry-standard pigeonholing,” Minnesota native Dosh headlines an October 26 concert set at Davenport's Raccoon Motel, the artist's album Worlds & Wishes praised by NPR as “a series of richly orchestrated, mostly instrumental electronica tracks with a cinematic grandeur.”

With singing sensation Keila Martinez headlining and a sextet of gifted musicians backing her vocals, the tribute artists of Los Chicos del 512: The Selena Experience play the Rhythm City Casino Resort Event Center on October 22, their show a dynamic touring celebration of the legacy and dance-tastic hits of the late, great pop and Tejano chanteuse Selena.

Making his Quad Cities debut in support of his debut EP, Nashville-based country singer/songwriter Timbo plays Davenport's Redstone Room on October, the nascent artist's first six-song collection lauded by American Highways' Mason Winfree as a work that “weaves a thread through the emotions of loneliness, longing, and dependency and leaves the listener yearning for more.”

With their 2017 album Elements described by New Noise magazine as “a timeless and accomplished listen for ears that appreciate mature enlightening sounds,” the nine-piece Chicago outfit Bassel & the Supernaturals will deliver four performances, from October 29 through 21, as the latest guests in Quad City Arts' Visiting Artist series - the band's rock template, New Noised continued, “tinged with the most graceful, sophisticated, and warm influences, of R&B, jazz, and funk.”

Touring in support of the band's acclaimed 2020 album Perdita, the Grammy-winning, chart-topping rockers of Stone Temple Pilots play East Moline venue The Rust Belt on October 23, with the musicians' most recent recording described by Deadpress as “a beautiful collection of gentle, sincere, and delicately crafted country/folk ballads,” and a work that Paste magazine says “may be the most sonically rich experience that Stone Temple Pilots have offered their fans to date.”

Watching the Ghanaian-born drummer Paa Kow (pron PAH-Koh) perform with his Afro-Fusion Orchestra last Thursday evening, 7 October, at the Redstone Room in Davenport, one wondered briefly if he functions on pure enthusiasm. His fellow-musicians were alert to every key- and tempo-change, and Paa Kow often surprised his audience by leading them down different melodic paths when a song seemed instead to signal its conclusion.

I've said it before and I'll say it again: The Quad Cities have a psychotic, improbably centralized, and densely packed scene when it comes to death metal.

Dark Family has really stepped up both their songwriting and production games, peeling away some of the lo-fi haze and the more languid song structures to reveal the most direct, tuneful compositions I've heard from them yet, all presented at a level of clarity that marks a turning point in their catalog.

Darsombra's swirling sheets of guitar and synth are accompanied by Everton's intense and detailed visual projections. These run the gamut from trippy patterns and Eastern-derived imagery to nightmarish depictions of Earth reminiscent of the 1982 film Koyaanisqatsi (“world out of balance”). It's a lot to take in, which is the point. Their stated goal is to create a “a symbiotic audio-visual-energetic experience that creates a temporary reality, woven by sight, sound, and movement.”

A touring engagement with the platinum-selling, chart-topping, chainsaw-playing rock and metal artists of Jackyl comes to East Moline venue The Rust Belt on October 19, its musicians not only fan favorites but the possessors of two actual Guinness World Records: one for playing 100 concerts in 50 days, and one for performing 21 concerts in a 24-hour period.

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