It's magical to enter the theatre at Prospect Park and take in the huge, overarching proscenium studded with large round bulbs and that dark-red velvety curtain. Before Thursday's preview performance, I took a deep, happy breath as I absorbed this classic-American-theatre ambiance and anticipated a dazzling musical spectacle – and Quad City Music Guild gave me what I wanted.

Sure, it’s cliché. But of all the Shakespeare tragedies, Hamlet is my favorite, so I was excited to take in director Alaina Pascarella’s version in Lincoln Park on Saturday night. And Genesius Guild took this classic, trimmed it down, and kept it enjoyable for enthusiastic William Shakespeare fans and newcomers both.

As a rule, I don’t give standing ovations. However, on Friday evening, I gave one of the most honest standing ovations of my life at A Green River, currently running at Augustana College care of the Mississippi Bend Players. Across the board, this show, directed by Philip Wm. McKinley, could have flown across a London sky via umbrella, because it was practically perfect.

What a magical Saturday afternoon I had at the Timber Lake Playhouse enjoying the company's latest summer production of Into the Woods, a storybook brought to life with fabulous fables and folk tales including those of Jack and the Beanstalk, Cinderella, Rapunzel, and Little Red Riding Hood.

If you know Joseph & the Amazing Technicolor Dreamcoat, you know it's a fun show. If you've seen the current troupe at the Clinton Area Showboat Theatre, you know how deep-down wonderful they are. And when this company took on this classic musical, I expected to be dazzled. I was, as was the capacity crowd for Saturday's opening matinée performance.

Nestled between Lincoln Park’s tall, mature trees, a handful of patrons braved bugs and humidity to settle around the Don Wooten stage for Genesius Guild’s opening night performance of The Bacchae. It’s honestly a shame it wasn’t better attended, because director Patti Flaherty was at the helm of a glorious night of outdoor theatre.

Noises Off, by English playwright Michael Frayn, is a 1982 comedic farce of epic proportions, and you will likely either love this show or hate it. The guy sitting next to me, for instance, did not come back after intermission. The lady in front of me laughed hysterically. And an older fellow in the front row seemed to be dozing off. So there was definitely a wide range of audience reactions to this gag-filled production.

There are two sides to every story. And no matter what you think you know, the Circa '21 Dinner Playhouse’s delightful children’s show The True Story of the Three Little Pigs is here to lay the facts all out for you so you can decide for yourself.

Noël Coward's 1941 comedy Blithe Spirit was adapted for film in 1945, as well as for television and radio and as a musical. It's been offered by multitudes of theatres, now including the Clinton Area Showboat Theatre – which proved, on Friday, that their production can stand with the best of them.

The opening-night, sell-out crowd filling the Black Box Theatre appeared engaged by, and mostly appreciative of, Little Women: The Musical. The talented cast performed with gusto, intelligence, and tenderness, as required. Unfortunately, however, the adaptation itself of the late-19th-century Louisa May Alcott classic left me disappointed overall.

Pages