11 Jul 2017

Jets Engine: “West Side Story,” at the Prospect Park Auditorium through July 16

By Jeff Ashcraft

Everybody wants to see that hot, innovative musical. You know the one. It’s cool and diverse, sexy, sacred to its fans, and combines hip music and lyrics with some phenomenal choreography. The one in which a man and woman fall into a forbidden love that takes place amidst a bloody war between rival armies with a deadly duel as part of its climax. C’mon, you know the show I'm taking about, right?

No, not Hamilton. Sheesh.

11 Jul 2017

Woman Wonder: “The Trojan Women,” at Lincoln Park through July 16

By Mike Schulz

As stage bummers go, The Trojan Women has always been one of the most glorious – an astoundingly eloquent and affecting anti-war argument that plumbs depths of almost immeasurable sadness. Yet as Genesius Guild’s current presentation of the Greek tragedy reminds us, Euripides’ play can also deliver a fantastic amount of joy, at least if you, too, annually wish that Guild offerings gave their female participants a little more to do.

11 Jul 2017

Jonny B. Dead: “Zombie Prom,” at Augustana College's Brunner Theatre Center through July 16

By Jeff Ashcraft
Don Denton, Shelley Walljasper and ensemble members in Zombie Prom

I mean no offense, but I just have to get this off my chest: Zombie Prom – the first production in the inaugural season of new theatre company the Mississippi Bend Players, directed by Broadway veteran Philip Wm. McKinley – is dumb. There, I said it. I mean, we're talking about a kitschy, '50s-era musical comedy in which a pubescent zombie goes to a high-school prom, for God's sake.

But before QC theatre elites call for my head, hear me out, because the gift of having a talent such as McKinley helm this type of production is that he knows how to create a show boasting a complete vision, and he also utilizes top-level talent to take a silly script and turn it into something exceptionally entertaining.

26 Jun 2017

Doppel-giggler: “The Comedy of Errors,” at Lincoln Park through July 2

By Mike Schulz

“Welcome to theatre in the park!” announced Genesius Guild Executive Director Doug Tschopp at the June 24 presentation of The Comedy of Errors. Tschopp didn’t, however, say this during his customary greeting and introductory remarks. He said it during an unplanned break roughly 20 minutes into the Shakespeare comedy while he, director Bryan Woods, and a stagehand used makeshift mops to soak up the accumulating rain that had been causing performers to slip.

19 Jun 2017

Amphibians Rainbow: "A Year with Frog & Toad," at the Circa '21 Dinner Playhouse through July 1

By Victoria Navarro

I’ve been taking my nine-year-old granddaughter Ava to the theatre since she was three, and on June 15 she accompanied me to the matinée performance of A Year with Frog & Toad, where we agreed that children’s shows don’t always have to be high-energy to be fun. This Circa '21 Dinner Playhouse production is a gentle story of friendship, and under the direction of Kim Kurtenbach it has a nicely old-fashioned vibe.

14 Jun 2017

Tree-Lined Triptych: “Selections from Menotti,” at Lincoln Park through June 18

By Dee Canfield
When my editor was doling out reviewing assignments for the month, I more or less said, “Please – anything but opera!” Then, due to availability issues, I ended up being assigned to review Opera @ Augustana's and Genesius Guild's Selections from Menotti.
12 Jun 2017

High Seas, High "C"s: "The Little Mermaid," at the Prospect Park Auditorium through June 18

By Brent Tubbs
Let me begin by stating, honestly, that I am a huge Disney fan, and have a major bias toward anything Disney-related. So when seeing The Little Mermaid come to life during Quad City Music Guild's June 8 preview, the show would've had to be a catastrophe for me to not enjoy myself. Thankfully, it wasn't one.
05 Jun 2017

Pan-tastic Voyage: "Peter & the Starcatcher," at the QC Theatre Workshop through June 18

By Jeff Ashcraft

It's opening night, and it's intermission at the QC Theatre Workshop. I wander out into the warm evening for some fresh air, wondering what, exactly, I'm witnessing. I mean, it doesn't really fit into any genre or theatrical category I can recall previously seeing. And yet, it's not only entertaining; it's exciting. At times, I feel as if I'm watching a silent movie in a nickelodeon. No, it's more like a sketch comedy. Wait: It's really a fable or children's story. A-ha!

05 Jun 2017

Calculating Love: "I Love You Because," at the Black Box Theatre through June 17

By Victoria Navarro

The 2006 musical love story I Love You Because, its music by Joshua Salzman and its book and lyrics by Ryan Cunningham, is a modern spin on Jane Austen's Pride & Prejudice, exploring the age-old notion that opposites attract. And in its current presentation at the Black Box Theatre, the show provides a light and entertaining theatre experience.

05 Jun 2017

Monkey-Trial Business: "Inherit the Wind," at the Richmond Hill Barn Theatre through June 11

By Brent Tubbs
Sometimes a play is written to highlight societal troubles at the time it was written. And sometimes that play gets performed nearly 65 years later, and its message and themes are just as powerful and meaningful now as they were then.

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