Described by the New York Theatre Guide as “a terrifically entertaining time” and “a great big Broadway show that never loses its mind or its light touch,” the Elvis-meets-Shakespeare musical All Shook Up serves as the summer's latest Clinton Area Showboat Theatre presentation, its July 1 through 18 run delivering hilarity, romance, and a batch of favorite pop and rock tunes including “Heartbreak Hotel,” “It's Now or Never,” and “Hound Dog.”

What would summer in Iowa be without fireworks? And small-town Independence Day celebrations? Ice cream? A marching band? A charming con man? Yep – for me, it's just not summer without The Music Man. This 1957 work by Iowan Meredith Willson (with Franklin Lacey's assist on the story) is my favorite musical. I've seen more productions of it than any other show, and felt lucky to review Countryside Community Theatre's opening-night performance.

We don't just hear about the two Broadway ladies, both of whose careers took off in the 1930s and spanned decades; we also hear about Shelley Cooper's theatrical career. After reading her credits in the program bio, I can say that Cooper is a bona fide musical-theatre luminary herself.

Promising nights of classical-theatre education blended with beautifully phrased entertainment, Genesius Guild presents its second show of the 2021 season in the July 3 through 11 run of Shakespeare's Life in His Works, a debuting exploration into the Bard's works boasting clips from classical favorites and narration written by 92-year-old Guild founder Don Wooten.

Whether you are shy about trying Shakespeare or are a Bard aficionado, has Genesius Guild got a show for you! The first production of their shortened season, Measure for Measure (abridged), is very funny, well acted, deftly staged, easy to follow, and – so important for an outdoor venue in summer – short.

It was a beautiful summer night on Saturday, and I was thrilled to attend the Clinton Area Showboat Theatre’s energetic new musical Smokey Joe’s Café. Celebrating the songs of Jerry Leiber and Mike Stoller, this production took place outdoors, across the street from the Showboat in the charming Riverview Park Bandshell. And from the first note of the first song, I knew I was in for a treat.

The song “Corner of the Sky” has always been one of my favorite Broadway tunes. I love the lyrics, especially, because they touch areas deep inside my heart with their nuances of looking for meaning in life and trying to find a place where you fit in. The words: “Rivers belong where they can ramble / Eagles belong where they can fly / I’ve got to be where my spirit can run free / Got to find my corner of the sky” really ring true in my own experiences. And this song is the centerpiece for the season opener – the musical Pippin now playing at the Timber Lake Playhouse.

I feel confident in giving Red two thumbs up, but should you attend for yourself and disagree with me … . Well, I think that’s exactly the point of director Cait Bodenbender’s production: You can choose for yourself as long as you do so from a place of honesty.

Two powerhouse vocal legends will be celebrated by one supremely gifted Augustana College professor from June 24 through 27 when the Mississippi Bend Players present Mary & Ethel: How I Learned to Sing, with area stage performer, director, and instructor Shelley Cooper showcasing the musical talents of her musical idols Mary Martin and Ethel Merman in an exuberant one-woman show.

One of the most enduring and entertaining stage musicals of all time will be the first of two summer shows presented by Eldridge's Countryside Community Theatre, with the company returning to stage performance for the first time in two years in its June 25 through July 3 run of composer Meredith Willson's classic The Music Man.

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