• Kung Fu Records has just released the first in its new independent feature-length film series, That Darn Punk, on home video. The movie is a truly homegrown project, recorded on film - not video - with a bare-bones budget of $20,000.

The goal was something young. Young performers. Young audience. Young composer.

Those were the parameters the Quad City Youth Symphony Orchestra set two years ago when it asked for composers to apply for a commission, its first in more than a decade.

• This Tuesday brings Eric Clapton's all-new studio album, Reptile, jam-packed with stellar musicians and an interesting handful of cover selections including James Taylor's "Don't Let Me Be Lonely Tonight" and Stevie Wonder's "I Ain't Gonna Stand for It.

• As a connoisseur of interesting cover versions, I raise my glass and invite you drink deep from the new Face To Face collection, Standards & Practices, just released on the Vagrant label. Uncovering the band's personal guilty-pleasure nuggets from the new-wave 1980s and more contemporary influences is a real treat on this one - tearing into blistering renditions of selections like The Smiths' "What Difference Does It Make," the Pixies' "Planet of Sound," the Pogues' "Sunny Side of the Street," and the Jam's excellent "That's Entertainment.

Though Guy Davis was raised in New York City, the son of the well-known actors Ossie Davis and Ruby Dee, he grew up hearing accounts of life in the rural South from his parents and grandparents. He used those tales for his own songs and stories.

In the booklet for Shaffer Street’s debut album is a gauzy picture of the band’s leader, Chris Shaffer, that suggests Rob Zombie about to do some damage – long hair, beard, made-up eyes, and a sly look of malevolence.

• Beating the bootleggers to the punch, this Tuesday Pearl Jam unrolls the first batch of concert CDs from the band's recently completed North American tour. This continuation of band-controlled "domestic bootlegs" promises to cover 47 U.

· Solo projects abound in the coming weeks as individual members of past-and-present successfully busy bands take a sidestep, releasing new side-project CDs. One of the tastier offerings: Limp Bizkit's Wes Borland tries on the mask of his new alter ego as Big Dumb Face and the Duke Lion Fights the Terror set on the Geffen-distributed Flawless/Flip imprint on March 6.

Panama-bred jazz pianist, composer, and educator opened himself up to some scrutiny after he announced during Saturday’s concert that this was his jazz trio’s first public performance. But although the players weren’t always on the same page, it was an impressive debut.

It's a shame that most of the Quad Cities will see only one side of Danilo Perez during his week-long visit here as part of Quad City Arts' award-winning Visiting Artist series. When he performs on February 10 at Augustana College's Centennial Hall, you'll have the opportunity to see the focused jazz master infusing the most American of music forms with folk music and the musical history of his native Latin America.

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