I won’t lie to you: I consider myself a bit of an expert when it comes to televised baking shows. If you’ve ever opted into watching one yourself, you can rightly assume that you’re in for a treat with the Circa '21 Dinner Playhouse's latest offering Just Desserts, its book and lyrics by Barbara Campbell and its music by Brad Ross.

What a treat it was to enjoy this fresh story, with rousing music, performed by some of the most passionate, committed actors I've recently seen – and to know that it was powered by local minds and hearts. So much work went into this treasure.

Each time I've attended a show at Augustana College's Brunner Theatre Center, I'm astonished by both the acting and technical brilliance. We had some great performers and techies during my St. Ambrose days, to be sure – but our theatre certainly wasn't equipped like this one. However, my justifiable envy doesn't lessen my enjoyment while at Augustana, including at Tuesday's dress rehearsal for The 39 Steps, directed by theatre professor Jeff Coussens.

Seeing a play by Lauren Gunderson at the Black Box Theatre is now one of my favorite pastimes. On Thursday, I attended the opening-night performance of Gunderson's The Revolutionists, and my third go-'round with this playwright and this theatre proves that they harmonize as deliciously as Brie and a baguette.

I'll admit I was never a hearty fan of the Animaniacs approach, and as such, found it difficult to fully appreciate this production’s comedic offerings. But note: Just because this particular brand of comedy isn’t my personal favorite doesn’t mean that others on Saturday didn’t wholly love it.

The Lightning Thief, a relatively new musical, had its QCA premiere at the Spotlight, and this production based on Rick Riordan’s YA books about a young half-blood was a delight to watch. It was just as fun and playful as the original book series – and Saturday's telling of this energetic story was inventive, theatrical, and entertaining.

It was thrilling to walk into the Playcrafters Barn Theatre on Saturday and see a large crowd for Neil Simon's The Odd Couple, as about four-fifths of the seats were occupied. And director Teresa Moore, along with her staff, crew, and cast, put together a smooth-running, well-paced, lively, and all-around-enjoyable production.

The Play That Goes Wrong is an apropos title given that director Warner Crocker’s cast, in the Circa '21 Dinner Playhouse's new production, is enacting the Cornely Polytechnic Drama Society troupe's production of The Murder at Haversham Manor. It's a play within a play. As such, there’s even a program within a program.

I know the holidays are busy and holiday weekends busier still, but make room in your calendar for this fast-paced, hilarious little show, because it's completely worth it. The energy that director Tristan Tapscott’s cast brought to a very nearly empty house was unbelievable, and I can only imagine what the show would amount to in a packed theatre.

Frankly, I was feeling a bit smug when I entered the Spotlight Theatre on Saturday night. Like many, I've seen The Sound of Music onstage, and the film several times. I know how the scripts and songs differ, and what to expect. Yet this production still astounded me: It's a grand, rich experience.

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