Praised by NPR for their music that “all sounds impeccable without losing its sense of lightness and joy,” the string quartet Invoke serves as the latest guests in the Quad City Arts Visiting Artist series, with the musicians' five concert events between October 5 and 7 sure to demonstrate why the Austin Chronicle calls the group “purveyors of chamber music that busts through genres in the quartet's spicy performances.”

A lauded touring project by singer/songwriter Jason Singer, Michigander plays an October 12 concert at Davenport's Raccoon Motel, the artist noted for performing music that, in the words of the River Cities' Reader's Max Allison, “carries a kind of universality that extends beyond the Midwest region to encompass any spot in which someone might feel fundamentally out of place, heartbroken, or – alternately – exactly in the place he or she belongs.”

On October 9, a gifted series of disparate artists ranging from Quad City Symphony Orchestra musicians to professional dancers to an Augustana College instructor/performer to a visiting guest conductor will gather at St. Ambrose University for QCSO Up Close with Ballet Quad Cities: The Soldier's Tale, an evening of music and movement headlined by the influential and rhythmic Igor Stravinsky ballet of the title.

A family-friendly treat that the River Cities' Reader said “bubbles with color, personality, and wit,” the sweet and hilarious musical Miss Nelson Is Missing! opens the 2021-22 theatre season at Augustana College on October 9 and 10, the show based on a series of beloved, best-selling children's books by Harry Allard and James Marshall.

An early member of REO Speedwagon whose guitar talents were described by the Michigan Daily as “B.B. King played through Jimi Hendrix (with a touch of Andy Gill),” blues guitarist, songwriter, vocalist, and humorist Duke Tumatoe and his ensemble the Power Trio play Davenport's Redstone Room on October 8, sharing the talents that enabled the headliner and Chicago native to open for the legendary likes of Muddy Waters, Buddy Guy, George Thorogood, and John Fogerty.

Lauded by World Music Report as an “energetic and ingenious musician and drummer” whose music “is a boiling and bubbling cauldron of African Highlife and every other kind of rhythmic style,” Afro-fusion percussionist and composer Paa Kow plays Davenport's Redstone Room in a Guest List Series co-presentation with Quad City Arts, the free October 7 event sure to prove why Modern Ghana calls the performer “Ghana's most artistic drummer.”

A legendary, groundbreaking achievement whose original Broadway production received six Tony Awards and whose most recent New York presentation won the Tony for Best Revival of a Musical, composer Stephen Sondheim's and author George Furth's Company enjoys an eagerly awaited run at Moline's Black Box Theatre October 7 through 16, the work a resonant dramatic comedy by an artist the New York Times calls “one of the most sophisticated composers ever to write Broadway musicals.”

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While it's intermittently moving and generally well-acted, the film version of Broadway hit Dear Evan Hansen, as you may have heard, has a number of problems: an unconvincing, even preposterous premise; blithe depictions of teen depression and mental instability; a 27-year-old lead cast as a high-school student. We'll get to those shortly. But the movie's biggest issue, it seems to me, lies in a sensation that you might only recognize if you've seen a lot of stage musicals, or least a lot of sub-par ones.

After well over a year of successfully fending off every legal challenge to his executive powers during the pandemic, it now appears that Governor JB Pritzker might have reached the limits of his authority.

If you know this musical's title, and have seen any ad artwork, you already know that the show involves a very bad sentient plant. So I'll now reveal that it grows, as plants do. Except real big. And it's a carnivore. And it keeps wanting heftier portions of meat.

Performing locally in a special event sponsored by Pierce's Promise, beloved folk singer/songwriter Cody Diekhoff – better known by his recording alias Chicago Farmer – plays an October 2 concert at Davenport's Redstone Room, the artist a soulful crooner and guitarist who inspired No Depression to rave, “If the Midwest is looking for a voice, the search is over.”

Described by DC Metro Theatre Arts as a mystery comedy with “a dizzy, stimulating joy that makes it a whole lot of fun,” the movie and board-game adaptation Clue: On Stage takes residence at Geneseo's Richmond Hill Barn Theatre October 7 through 17, the show a farcical riot that, according to Broadway World, “creates one laugh after another – and a series of 'Ah-hah!'s – as the audience is led on a merry chase.”

A stunningly gifted singer, comedian, and ventriloquist who, at age 13, was the grand-prize winner of the 12th season of NBC's America's Got Talent, Darci Lynne Farmer brings her singular talents and felt-laden pals to Davenport's Adler Theatre on October 10 alongside some of her touring friends, among them the diva-esque rabbit Petunia, the shy and soulful mouse Oscar, and a sarcastic old lady (puppet) named Edna.

Touring in support of the band's recently released third album Walkman, a recording described by Paste magazine as “a jubilant half-hour punctuating a newfound maturity,” the Minnesota-based Bad Bad Hats play Davenport venue the Raccoon Motel on October 13 demonstrating the talents that NPR described as “programmed to fire all neural pathways associated with carefree indie-rock fun.”

An annual, eagerly awaited fundraising event for Gilda's Club Quad Cities that gives ladies a night out to enjoy each other's company, bid on live and silent auction items, and generally let loose, this year's Diamonds & Divas event takes place at Davenport's Hotel Blackhawk on October 7, and will be highlighted by a performance with celebrated comedian – and former Quad Cities resident – Tammy Pescatelli.

One of the most powerful and influential memoirs in American literature will, on October 3 and 4, enjoy a live rendition at the University of Dubuque's Heritage Center, with Richard Wright's iconic Black Boy given theatrical treatment in a Literature to Life solo presentation that premiered at the Kennedy Center – one that boasts actor Tarantino Smith playing more than a dozen of the book's seminal characters.

A sculpture showcase employing repurposed past work and found materials from the recesses of her studio, the installation Jane Gilmor: Breakfast on Pluto will be displayed at Davenport's Figge Art Museum through February 6, with the arresting work – one activated via motion and light – encouraging visitors to contemplate the interplay between light and darkness, the familiar and the strange, and the past and the present.

The celebration of a key artist in the development of printmaking in the 20th century, as well as the artistic community that he created, Robert Blackburn & Modern American Printmaking will be on display at Davenport's Figge Art Museum through January 9, the exhibit a fascinating showcase of a talent who challenged the idea of lithography as a high-craft process.

The rare cinematic achievement that currently holds a perfect 100-percent critical-approval rating on RottenTomatoes.com, the outlandishly inventive horror comedy Der Bunker enjoys an October 1 screening as the latest presentation in the Kinogarten series of acclaimed, German-themed works hosted by Rock Island's Rozz-Tox and Davenport's German American Heritage Center, with the work itself the recipient of the 2015 Fantastic Fest's prestigious Next Wave Award for Best Film.

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