Singer/songwriter and guitarist Christopher Paul Stelling brings his intimate live show to Rozz-Tox on February 23, as part of a tour following the release of his new album Best of Luck, which landed on February 7.

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Well.

Well well well well well.

Lookie what the Oscars did.

The Playcrafters Barn Theatre's presentation of The Boxcar Children opened on Friday with a simple, wholesome journey of four Depression-era youngsters and their adventures as recent orphans. Knowing that they will likely go to different foster homes, the Alden children escape into the woods and find a boxcar in which they begin to live, and while the set design was sparse, the actors, for the most part, were excellent – I found myself carefully listening to each character as they expressed their innermost thoughts and feelings. Like the old saying goes, "Less is more," and in this show, I found that to be particularly true.

I've read and heard a lot of commentary about what Governor JB Pritzker didn't say in his State of the State address last month. Some folks are still quite angry that he didn't address their pet causes.

Wrapping up my pan of DC Films' Suicide Squad in the summer of 2016, I wrote, “The inevitable sequel to this franchise-starter can only be better. I say that all the time, and one of these days, damn it, I'm gonna be right.” Hey, whattaya know! I was finally right!

Lauded by Theatre Mania as a “mean and marvelous” play that “has more surprises than a case full of Cracker Jack boxes,” author Neil LaBute's biting and evocative drama The Shape of Things serves as the latest student production in St. Ambrose University's Black Box Theatre, its February 13 through 15 run signifying why CurtainUp deemed it a “must-see” that “leaves the audience with much to talk about.”

A hilarious off-Broadway hit for Tony Award winner Julie White, playwright Theresa Rebeck's one-woman comedy Bad Dates enjoys a local staging as the debut presentation by area company One-Off Theatrical Productions, its February 13 through 16 run at Davenport's QC Theatre Workshop sure to prove why the New York Times raved that “Rebeck’s easy control of her craft allows her to overlay this simple comic conceit with a richly detailed character study.”

Thorough and fascinating discussion on all facets of the artistic process is scheduled to take place at the Figge Art Museum on February 13, with the Davenport venue hosting 10 gifted visual artists in its presentation Rock Island Art Guild Artist Talks, a chance to meet and learn from Guild members whose works are currently on display in the Figge's 41st Rock Island Art Guild Fine Arts Exhibition.

Nominated for five 2006 Tony Awards including Best Musical and described as a “fizzy confection” by Variety magazine, the musical version of Adam Sandler's film-comedy smash The Wedding Singer enjoys a local run at Moline's Spotlight Theatre February 14 through 23, with composer Matthew Sklar and lyricist Chad Beguelin praised by New York Theatre Guide for their 1980s salute and its “truly clever and often hilarious score.”

The legendary Brooklyn-based MC and Black Star member Talib Kweli drops into East Moline venue the Rust Belt for a show on February 14.

Praised by Smooth Jazz Therapy as “a major player on the contemporary jazz scene,” the gifted saxophonist, flautist, and vocalist Paula Atherton headlines Great Sounds Promotions' latest Smooth Jazz Valentines Concert at Davenport's Redstone Room, the February 14 event sure to demonstrate why The Smooth Jazz Ride lauded the artist for her “stylish, sleek, and energetic talents.”

Touring in support of his 2019 album State I'm In, Aaron Lewis – the chart-topping outlaw-county singer/songwriter and co-founder of rock outfit Staind – headlines an acoustic February 15 concert at Davenport's Rhythm City Casino Resort Event Center, treating fans to a repertoire that inspired Saving Country Music to rave, “Aaron's voice comes with a familiarity and richness of tone that endears itself to the songs he writes.”

With The New Yorker deeming the group “an ensemble of eloquent intensity” and “one of the mainstays of the American chamber-music scene,” the gifted musicians of the Jupiter String Quartet appear as special guests in the WVIK/QCSO Signature Series, their February 15 performance at Augustana College's Centennial Hall sure to deliver what the Boston Classical Review called “an intensely alert investigation of the musical possibilities in each work.”

A musical showcase held in support of Black History Month, the latest presentation in Polyrhythms' Third Sunday Jazz Workshop and Matinée Series finds the Midwestern greats of the Peter Callaway Quartet bringing their significant talents and deep love of jazz to Davenport's Redstone Room on February 16, offering a celebration of African-American jazz composers and musicians including Miles Davis, Herbie Hancock, George Benson, Duke Ellington, and many others.

A bill of pummeling post-hardcore, screamo, and full-throated black metal hits Rozz-Tox on February 16 as St. Louis’ Mystic Will forms a bill with local acts The Dead Girl Medallion and Suburban Commando.

What follows is a subjective list of my 10 favorite releases of 2019, as well as some honorable mentions. My personal tastes tend toward rock and metal, and this list reflects that, with a few exceptions. There's much good music that I've either missed or haven't fully appreciated. You are probably in the same boat. So read on – and feel free to recommend anything I may have overlooked.

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Corporate media distributed content disguised as news has devolved into (1) a perpetual call of winners and losers in the fabricated binary national selection of so-called US presidential options, and (2) tightly scripted propaganda across all platforms and channels masquerading as (no, not even fact-driven news anymore) misguided speculation based on contrived narratives specifically formulated to elicit conditioned responses from you, the viewer, listener, and reader.

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