Did you hear the energetic trumpeting coming from Rock Island this past weekend? Because Elephant & Piggie’s “We Are in a Play!” debuted on the Circa ‘21 Dinner Playhouse stage and was chock full of trumpets, both of the elephantine and brass-instrumental variety. Director Kim Kurtenbach kept the energy in this production high and the overall experience was a joy – a veritable celebration of friendship.

On November 19, 2020, the number of Illinois House Democrats who had publicly stated they would not vote to re-elect Speaker Michael Madigan grew from 12 to 17, meaning that Madigan at that point did not have enough votes to win. By December 1, two more House Democrats, including a member of Madigan’s own leadership team, had turned against him. “The 19” became a real force in Illinois politics.

Returning to the presentation of classical theatre in Rock Island's Lincoln Park for the first time since 2019, the venerated stage company Genesius Guild – which originated in 1957 – opens its 2021 season with the June 19 through 27 run of William Shakespeare's Measure for Measure (abridged), a 90-minute rendition of the timeless comedy that led River Cities' Reader reviewer Thom White to state, “I ended up laughing harder … than I've ever laughed while watching a Shakespeare performance.”

Delivered as part of the Davenport Public Library's virtual 3rd Thursday at Hoover's Presidential Library & Museum programming, the June 17 Zoom webinar Clearing the Static: Herbert Hoover & Early Radio Regulation will find professor Stephen Coon discussing the history of the medium and how regulatory decisions made by Herbert Hoover and others still affect today’s industry, present-day social-media platforms included.

Two legendary forces in country music – as well as artists who were born fewer than seven months apart – will be celebrated at the Ohnward Fine Arts Center when the Maquoketa venue presents Cash & Cline: Country Royalty Tribute Show, a June 19 stage sensation boasting Johnny-and-Patsy hits performed by Benny Wheels and Lori Gravel.

A jazz ensemble dedicated to making audiences very happy, and with the band moniker punctuating the “very happy” to prove it, the four gifted musicians of Christopher's Very Happy. Band play Davenport's Redstone Room on June 20, their performance as the latest guests in Polyrhythms' Third Sunday Jazz Series operating from the premise that “now, more than ever, we all need a little more Happy.ness in our lives.”

The talents of a gifted painter with two masters degrees from the University of Iowa will be showcased in the latest exhibition at the Figge Art Museum, with the Davenport venue, through September 26, housing the exhibition Franklin Evans: Franklinsfootpaths, an installation that will explore elements of Evans' personal history in Iowa while also encouraging new ways of experiencing the Quad Cities museum.

Touring in support of his 2020 album Ordinary Madness, a release that American Songwriter called “a brutally honest, blistering tour-de-force,” the legendary blues vocalist/guitarist Walter Trout takes the stage at Davenport's Adler Theatre on June 18, his concert sure to demonstrate why Blues Rock Review deemed him “one of blues' strongest active musicians” whose most recent recording “is consistently great from cover to cover.”

Described by the New York Times as “intense and exciting” and by The New Yorker as “smart, eloquent entertainment,” author John Logan's two-character Red returns the Mississippi Bend Players to Augustana College's Brunner Theatre Center, the company's summer-season premiere and June 17 through 20 run delivering an explosive celebration of humanity and art, as well as an acclaimed stage drama that received six 2010 Tony Awards including Best Play.

Davenport Junior Theatre wraps up its 69th season of theatre “for kids, by kids” with the organization's first in-person production in 15 months: the premiere of playwright Aaron Randolph III’s The True Tale of Robin Hood, a funny and exciting outdoor production, running June 11 through 20, that will be free for patrons and held outside on the Great Lawn of the Annie Wittenmyer Complex.

To download a PDF of the puzzle, click here.

There are two absolutely excellent moments in the new horror film The Conjuring: The Devil Made Me Do It. Both moments are scary as all get out and boast images that even this longtime genre fan had never seen before, and Julian Hilliard appears to be a remarkable young actor. If director Michael Chaves' fright flick were actually about that kid and his supernatural turmoil, this second sequel might've really been something.

There’s an adage “hurt people hurt people.” It's a cliché, certainly, but it sums up the experience currently on the Playcrafters Barn Theatre stage. Friday was the opening night for Princeton’s Rage, written by local playwright Don Faust, and under the direction of Madison Duling, the evening was full of emotions and pain, but also well-needed healing.

Friday was opening night for You’re a Good Man Charlie Brown at the Spotlight Theatre, and it was a crazy, fun evening filled with lighthearted comedy and loaded with some of my favorite area talent. I really enjoyed the simple, childlike playfulness that the entire cast exuded, as it was evident that everyone was having a great time and glad to be back on stage.

Drama is conflict, and the Black Box Theatre's current production, titled Hate Mail, reveals its conflict within the first two minutes. As the battle slowly escalated, I wondered how playwrights Bill Corbett and Kira Obolensky could sustain the animosity and keep it building for an entire play. How dark could it get and

The Showboat's former producing artistic director Matthew Teague Miller directed Always ... Patsy Cline, while Kory Danielson is music director and conductor, also playing piano during the performances. Much thought and work no doubt went into staging this production, but Miller, Danielson, and their crew make it seem like it came together spontaneously and organically.

I interviewed both House Speaker Chris Welch and Governor JB Pritzker last week, so I thought I’d tell you about one of the overlaps. Speaker Welch followed a man who had been in office for decades, so comparisons are unavoidable. When former House Speaker Michael Madigan was around, we were always playing endless guessing games. What is he really up to? What does he really want? What’s he really trying to say?

There must be something in the water in the Quad Cities that makes absolute shredders out of its residents. I feel like every month, when I’m digging through local music on Bandcamp, some new project that I’ve never heard of before leaps out at me with a malevolent grin and says, “Here, take this masterful, fully realized [death metal] [black metal] [progressive metal] [grindcore] album that was probably recorded in some guy's home studio but that hits with rock-solid ideas and a professional level of production that can compete with the most high-budget release on a larger label.”

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