New works by a pair of gifted artists, working in vastly different mediums, will be on display at the Quad City Arts Center hrough October 2, staffers at the Rock Island venue proud to house paintings by Colleen McCarty-Tomlinson and marbled-paper works by Connie Sherman.

Nostalgia has a funny way of raising the stakes. A mediocre presentation wouldn’t just be disappointing; it would feel like someone had replaced my ruby slippers with muddy boots and then trounced all over my childhood memories. Thankfully, director Tony Parise’s production bursts to life with color, imagination, and obvious affection for the material.

With the artists encouraging their audience to pause and find hidden details in their work., two Midwestern talents are showcasing pieces at the Quad City Arts International Airport Gallery through November 2, the Bowden & Shultz-Hetrick exhibit hosting abstract paintings by Peotone, Illinois' James Bowden and fused-glass art by Cedar Rapids' Barbara Shultz-Hetrick.

Purchased in honor of the Figge Art Museum's late museum trustee, board president, and museum supporter Tom Gildehaus, the visitor favorite Corn Zone returns to the Davenport venue through September 27, its “corn field” installation of oversize blown-glass ears carefully suspended from the museum's ceiling with rope, and designed to explore the fragility of glass, the story of corn, and contemporary issues in farming.

Timed to the 250th anniversary of the signing of the United States' Declaration of Independence, the Figge Art Museum exhibition Connie & Michael Roberts: Portrait of America will be on display in the Davenport venue's Lewis Gallery July 5 through January 3, this arresting collection of works inviting audiences to reflect on the individuals who helped shape our nation’s history.

Bringing together contemporary artists responding to the themes and aesthetics explored in the Davenport venue's concurrent exhibition The Golden Age: Featuring Northern European Works from the National Gallery of Art, the Figge Art Museum's A Golden Age for Whom? will be on display through September 20, the two exhibitions' adjoining galleries allowing visitors to move directly between historic works and contemporary responses.

Over the past 250 years, German immigrants and their descendants, particularly in the Midwest, have helped develop, challenge, and improve the United States. The German American Heritage Center will consequently celebrate their history and accomplishments in Shaped by Immigrants: Celebrating 250 Years of the United States, on display in the Davenport venue through November 1.

Featuring more than 24 large-scale, immersive kaleidoscopes created by world-renowned artist and Davenport native Tom Chouteau, the traveling exhibition Kaleidoscope Odyssey will be housed at Davenport's Putnam Museum & Science Center through September 7, this fascinating walk-through event designed to celebrate the intersection of visual art, science, and optics.

From now rhrough January 3, masterworks on loan from Wichita, Kansas will be presented throughout the Figge’s Art Museum's Linda and J. Randolph Lewis Wing, with the exhibition Art Bridges: Ulrich Museum of Art presented through the Art Bridges Partner Loan Network – an art-sharing initiative that connects museums across the country.

A rare chance to experience Renaissance and Baroque art up close, the gorgeous and captivating exhibition The Golden Age: Featuring Northern European Works from the Collection of the National Gallery of Art will be on display at Davenport's Figge Art Museum through April 4, the exhibit's premiere sponsor Kay Hall (in remembrance of John) and contributing sponsors Wynne and David Schafer, Schafer Interiors, Kay K. Runge, KK Runge Associates, the Carolyn Levine & Leonard Kallio Trust, John Gardner, and Cathy Weideman.

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Going to the cineplex or staying in and streaming this weekend? Every Thursday morning at 8:15 a.m. you can listen to Mike Schulz dish on recent movie releases & talk smack about Hollywood celebs on Planet 93.9 FM with the fabulous Dave & Darren in the Morning team of Dave Levora and Darren Pitra. The morning crew previews upcoming releases, too. Or you can check the Reader Web site and listen to their latest conversation by the warm glow of your electronic device. Never miss a pithy comment from these three scintillating pundits again

Thursday, September 3: Discussion of Coyote vs. Acme, It Ends, Buddy, The Dog Stars, and Teenage Sex & Death at Camp Miasma, and previews of Onslaught, Fall 2: Deadpoint, and By Any Means, the latter with Mark Wahlberg donning perhaps the most flabbergasting fake nose Mike has ever seen. Not counting Pinocchio.

Free Will Astrology: Week of September 2, 2026

To download a PDF of the puzzle, click here.

To download a PDF of the puzzle, click here.

Local Theatre Auditions/Calls for Entry

Updated: Monday, August 24

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

Self-referential meta-theatre ploys wage stealth attacks on the audience like mosquitoes. By the time you notice the tiny, piercing strike, it’s gone.

There are some scripts that can be like pulling teeth when not done right. Thankfully, no orthodontist is needed for director Tristan Tapscott's powerful production of Arthur Miller’s Death of a Salesman.

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